The technique of \"Fair Endings\", as it was traditionally called, has always been in the centre of attention of the Persian poets. In Modern Poetry, this technique continued to be an esthetic element. Nimā coined the term \"Refrain\", but this word, later on evolved to the general term of \"Ending\".
Concerning the poems of Gheysar Aminpoor, the frequency and variety of \"endings\" play such a significant role that they double the beauty and effect of the poems. It can even be said that Aminpoor has his own style of creating the \"endings\".
This article, while taking a look on the function of this technique, investigates and classifies the devices and innovations of \"endings\" in the poetry of Aminpoor.
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